Effects Pedals

The Aqua-Puss Analog Delay MkIII delivers smooth vintage delay tones and tape-based echo with 20ms to 300ms of delay time.

This pedal combines a phase shifter and an envelope filter into a single dangerous machine for fifty shades of rude behavior that’ll turn a pleasant cocktail party into a drunken brawl.

The Blue Hippo Analog Chorus MkIII delivers a range of luscious, liquefied modulation and comes with a Vibe switch for adding thick vibrato goodness to your aqueous tones.

This mystical little device infuses your guitar signal with rich harmonics for smooth, transparent overdrive, with Gain, Volume, and Treble controls making for a super straightforward command center.

Unleash a dynamic and expressive overdrive with the touch-sensitive Geisha Drive.
The Way Huge Electronics Smalls Geisha Drive is an overdrive/distortion pedal that responds to your every touch, delivering a wide range of dynamic and expressive tones. Th

This pedal packs the Green Rhino Overdrive’s beloved stampede of gritty, gnarly overdrive tones into a super pedalboard-friendly housing.

he Way Huge Smalls STO delivers smooth, silky overdrive that sounds like the purr of a freshly tuned-up muscle car. The circuit that it's based on has been a special secret passed around for years among Nashville honky tonks and recording studios like a n

Playing with the Way Huge Stone Burner Sub Atomic Fuzz is like playing with molten lava—it’s all fun and games until somebody gets scorched. But that’s the whole point with this dastardly little box.

The Way Huge Smalls Stone Burner Sub Atomic Fuzz wil

The Supa-Lead Overdrive is a dynamic and touch sensitive overdrive pedal that cleans up immediately as you lower the guitar volume control. Designed to get amp-like crunch tones from a clean or slightly dirty amp, it produces a focused midrange grind with

The Swollen Pickle Jumbo Fuzz MkIIS serves up the same burly high gain fuzz as the full-sized MkII but in a more petite package. With a twist of the Sustain control, you're taken from mild crunch to Armageddon! The Filter control retains its trademark ins

From Zvex: This Box of Rock™ simulates Zachary’s favorite amp turned up all the way, a 1966 Marshall® JTM45. The tone control adjusts brightness and there’s a high-headroom low-noise boost.

This pedal was originally designed for J.Mascis. He requested two Box of Rock™ pedals in one box with two stomp switches. He uses it regularly now, but we did one (or two) better with the one we’re releasing to the public... we made it so you can adjust t