Collection

EUNA is the Elite UNity Amplifier from 29 Pedals.

An input driver that replaces a conventional buffer, EUNA is built to protect and condition your instrument's signal to prepare it for whatever you want to do with it. Console grade build, three great

FLWR is an overdrive, distortion and sometimes fuzz! It starts very clean and gets up into Fuzz territory at max settings. It's designed to help you find your own breakup point, so your playing can stay dynamic and full range and still breakup nicely when

JFET (jay-fet) is a boost pedal rooted in my love of the JFET transistor, long-loved in the world of audio for its similarities to vacuum tubes. As always for 29 Pedals it’s a ground-up design, from a blank sheet of paper, an effort to elevate the humble

Aakii (ah-key) is a chorus and vibrato pedal designed to deliver warm modulated tones in a gig-friendly format. The streamlined interface includes independent depth, rate, and mix controls for an optimized and effective modulation experience. From a lush

Used, in very good condition. Some light cosmetic signs of regular use. Pedal functions perfectly. 

Pedal only, no box. 

Used, in very good condition. Some cosmetic signs of regular use, functions perfectly. 

Pedal only, no box. 

Used, in excellent condition. Very few signs of use and functions perfectly. Includes original box. 

Used, in very good condition. Some light cosmetic signs of regular use, functions perfectly. 

Pedal only, no box. 

From Caroline: 

The long story short is that this thing is an unrepentant, unapologetic distortion pedal that is totally nasty and fun. This Cannon comes pre-loaded with balls (pun alert!) and is capable of going from cranked, lightly dirty amp tones t

From Caroline: 

Think of this as your rig’s new “tremolo channel”. We’ve adapted the deliciously sloshy, transistor-based LFO and distinctive waveform from our favorite “West German” device, modified its speed and depth to match and go beyond those fro

From Caroline:
We’ve kept your original, dry signal path analog and pure, then given you a +21db boost/overdrive preamp to smash a low fidelity digital delay chip designed for karaoke machines and kids’ toys into smeared, repeated glory. Yeah, we’re goi

From Caroline: 

From seasick wobbles to glitchy bleep-bloops and “I think I can” huffs and puffs, the crazy sounding stuff was actually the easy part for us. So once you’re done maxing out different settings to hear what kinds of bizarre wowie-zowie so