Effects Pedals

he Way Huge Smalls STO delivers smooth, silky overdrive that sounds like the purr of a freshly tuned-up muscle car. The circuit that it's based on has been a special secret passed around for years among Nashville honky tonks and recording studios like a n

Playing with the Way Huge Stone Burner Sub Atomic Fuzz is like playing with molten lava—it’s all fun and games until somebody gets scorched. But that’s the whole point with this dastardly little box.

The Way Huge Smalls Stone Burner Sub Atomic Fuzz wil

The Supa-Lead Overdrive is a dynamic and touch sensitive overdrive pedal that cleans up immediately as you lower the guitar volume control. Designed to get amp-like crunch tones from a clean or slightly dirty amp, it produces a focused midrange grind with

The Swollen Pickle Jumbo Fuzz MkIIS serves up the same burly high gain fuzz as the full-sized MkII but in a more petite package. With a twist of the Sustain control, you're taken from mild crunch to Armageddon! The Filter control retains its trademark ins

From Zvex: This Box of Rock™ simulates Zachary’s favorite amp turned up all the way, a 1966 Marshall® JTM45. The tone control adjusts brightness and there’s a high-headroom low-noise boost.

Special Razzle Dazzle Finish! 

Packed with knobs that let you control everything from tight, radically fuzzy sounds that gate off instantly when you stop playing, to intermodulating oscillations that fight for control of your guitar as your notes decay

Packed with knobs that let you control everything from tight, radically fuzzy sounds that gate off instantly when you stop playing, to intermodulating oscillations that fight for control of your guitar as your notes decay, to shortwave radio sounds, rippi

Special "Razzle Dazzle" Finish!
This pedal was designed to emulate the sounds and textures of the Lo-Fi Loop Junky™ in real time, but it goes far beyond that. Click it on and mix your sparkly clear compressed signal with the smashed, lo-fidelity warbled

This pedal was designed to emulate the sounds and textures of the Lo-Fi Loop Junky™ in real time, but it goes far beyond that. Click it on and mix your sparkly clear compressed signal with the smashed, lo-fidelity warbled signal and listen to it become a

The ’59 Sound is based on the legendary 1959 Tweed Fender Bassman. The ’59 Sound captures the essence of that magical amplifier.

I've never really liked the sound of distorted Fender amps (this is Zack pontificating) except for my earliest amp, a blond

This Box of Rock™ simulates Zachary’s favorite amp turned up all the way, a 1966 Marshall® JTM45. The tone control adjusts brightness and there’s a high-headroom low-noise boost.

The Sonar™ is a “tremolo” pedal, but this one’s different. This unit has the ability to chop up any signal you send into or out of it. Unlike most other tremolos, it can cut down your high gain signal to silence. It can also sound gorgeously transparent l