Effects Pedals

This limited edition version of the Kirk Hammett Cry Baby Wah delivers the heavy metal legend’s signature wah tones in a special yellow sparkle finish.

The Volume (X) Pedal controls volume and FX parameters, featuring fully adjustable rocker tension and and a Low Friction Band-Drive for ultimate durability—all in a pedalboard-friendly housing.

Augustus is an octave fuzz in the spirit—though not at all the same design—as the Octavia designed by Roger Mayer in the late 1960s for Jimi Hendrix. Like the Octavia, the Augustus works by rectifying the audio signal fed into it, folding each wave in two

Used, in very good condition.

The Hypatia is a fantastically versatile fuzz/overdrive/distortion pedal.

The basic elements are: a wide gain range, an adjustable low end, a specially designed input buffer, and a MOSFET-based output buffer. The gain range spans from ragged crunch to

The More Me is a clean(ish) boost designed to behave as another gain stage in front of your tube amplifier. Subtle non-linearities in the single MOSFET gain stage add a touch of harmonic distortion without clipping, adding some character that you wouldn't

Toasted is a semi-transparent, low-to-medium gain overdrive. Eschewing commonly used opamps and clipping diodes, the magic in Toasted comes from the natural overdrive of MOSFET gain stages set up like tube gain stages in an amplifier. The Toasted's elegan

The Acapulco Gold is a dirt-simple distortion Device modeled after the sound of a cranked vintage Model T amplifier, bringing the openness, clarity, and crunch that only a dimed tube amp can provide, at a fraction of the size, and without expensive mainte

The Avalanche Run is a dreamy stereosonic exploratory multi-tool that includes up to 2 seconds of delay time, reverse delay, tap tempo with subdivision control, switchable true bypass or buffered bypass with 5 different tail lengths (including a sound-on-

The Bit Commander is a monophonic analog guitar synthesizer with four octaves of vintage square wave synth tones. Its no-nonsense interface makes it easy to add or subtract octaves to create a wide variety of sounds without having to dial in envelopes or

The Data Corrupter is a monophonic analog harmonizing PLL with modulation. It takes your input signal and brutally amplifies it into a crushing square wave fuzz tone that is then multiplied, divided and modulated to create a wild, yet repeatable, three-vo

The Afterneath sounds a lot like it looks – a wizard bursting forth from ethereal cave and ready for the ambient battle. You are the wizard – or sorceress, if you prefer – and the cave is your instrument’s signal, vast, expansive, and magical. Do you go i