MXR

Designed in conjunction with indie pedal builder Analog Man, the MXR Duke of Tone Overdrive is for players who want to add a touch of warmth and grit to their rig while allowing the natural tone and feel of their high-end gear to shine.

A tribute to Randy Rhoads' monumental legacy, this pedal has been painstakingly matched to the legend's own MXR Distortion+ to recreate the same raw, overdriven tones heard on his most beloved hits.

Whether you need a space-saving solution for your downsized travel board or you just need to power a small, carefully curated selection of tried-and-true staples, this little box has what you need—all while taking up less space than a candy bar.



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The Blue Box Octave Fuzz drops your guitar signal two octaves down and combines it with gnarly fuzz for huge subterranean tones.

The MXR Uni-Vibe Chorus/Vibrato delivers classic textures and tones with a smaller footprint, a simple three-knob interface, and true bypass switching.



This pedal can be powered by a 9-volt battery, a Dunlop ECB003 9-volt adapter, or the DC Brick™

The Carbon Copy Analog Delay delivers rich, warm bucket-bridgade delay with up to 600ms of delay time and modulation.

This pedal can be powered by a 9-volt battery, a Dunlop ECB003 9-volt adapter, or the DC Brick™, Iso-Brick™, and Mini Iso-Brick™ power

Unleash the full force of your rig with the MXR EVH Modern High Gain Pedal. Designed in direct collaboration with Eddie Van Halen in 2015, this powerhouse of a device delivers EVH High Gain tone in raw, uncompromised and crushing form. It’s searing, it’s

Inspired by Wayne Kramer's raw guitar sounds on early MC5 records, Dunlop/MXR & Johnny Wator of Daredevil Pedals capture the pummeling sound of 2 dimed out 100 watt amp stacks into a single knob stompbox. Limited to 500 pieces with art by Shepard Fairey.

50 years of 90!

MXR Coil Instrument Cables offer the perfect combo of convenience, durability, and great tone, allowing you to take only as much slack as you need while transmitting a bright, clear signal.

n 1982, Tom Scholz—visionary guitarist and founder of pioneering hard rock band Boston—designed and released the Rockman X100 headphone amp through his electronics company Scholz Research & Development (SR&D). But it was more than just a headphone amp—wit

Billie Joe Armstrong’s guitar tone on Green Day’s groundbreaking album Dookie sounded dirty and punchy, with the perfect amount of articulation to express the musicality of his fast, melodic riffs. He got that sound by running his signal through two heavi