Search results for old blood noise

Expanding on the Excess, Old Blood Noise continues their journey to revive and expand sought-out pedal sounds of the 80s. With delay, chorus, and harmonized fifths available along with distortion in series or parallel configurations, Excess V2 unveils mor

What if a phaser could remember itself? Dweller remembers. It remembers far too much. From familiar phase and vibe sounds to resonant random step filtering, warm delays, and previously unheard in-betweens, the Dweller is capable of countless sonic textu

OBNE's Signal Blender, now in Stereo!

Black Fountain emulates the sound of an oil can delay: warm, modulated, and a little gritty. It’s perfect for chorusing, doubling, slapback, and long rhythmic delays alike. You choose the amount and rate of modulation, the tone and grit of the core voice,

Scooch Tap Tempo, a simple tap tempo box to go along with anything requiring an external tap tempo. OBNE Dressed it up and it looks nice.

Tippity tap that tempo

Old Blood Noise is now offering a harmonic take on their Whitecap dual asynchronous tremolo as a full member of the OBNE roster. The Blackcap retains the analog tremolo side of the original and takes the highly functional digital tap side into the realm o

Expanding on the concept of their Expression Ramper, Old Blood Noise Endeavors unveils the
Expression Ramper X3, an expression movement shaper capable of manipulating three expression
jacks simultaneously with copious control. This utility device brings

BL-52 Features:

• Clock slider to change the delay time, LFO speed, and overall fidelity of the effect, from faster repeats to time-stretched lo-fi
• Feedback knob to enhance the intensity of the phase repetition by further lengthening the tra

Beam Splitter takes one signal and makes three copies of it, each with differing overdrive voices and delay times. It is specifically our way of creating a huge sound out of a regular one. Output can be kept in parallel mono or split individually to three

The Old Blood Noise Endeavors Haunt is a gated fuzz that is capable of a wide array of fuzz sounds. From the restrained and nuanced light fuzziness to granular and biting saw sounds, many textures and character traits can be summoned with the Volume, Gate

Realizing matching gaps in the market and their friends’ workflows, OBNE is pleased to introduce MTET: the MIDI to Expression Translator. MTET is a simple device for complex workflows. It receives MIDI CC messages and turns them into expression outputs, a

Combining a three-control analog tremolo and a multi-shape digital tap tremolo, the Old Blood Noise Endeavors Whitecap tremolo lets the user find new tremolo textures by combining the two sounds in series or parallel. Quick chops, slow ramps, asynchronous