Effects Pedals

Handwired in the Custom Workshops in Doncaster, England, the WEM CCB-1 is a recreation of the preamp section of the famous WEM Copicat tape echo unit. These British made tape echos were a popular alternative to rarer American models and can be heard acr

From Zvex: This Box of Rock™ simulates Zachary’s favorite amp turned up all the way, a 1966 Marshall® JTM45. The tone control adjusts brightness and there’s a high-headroom low-noise boost.

This pedal was originally designed for J.Mascis. He requested two Box of Rock™ pedals in one box with two stomp switches. He uses it regularly now, but we did one (or two) better with the one we’re releasing to the public... we made it so you can adjust t

From Zvex:
The next edition of our Fuzz Factory 7, using two NOS 1960s GT308 germanium transistors.

Germanium transistors. What makes them so special? It’s because they turn on faster. Sooner. They get turned on way quicker than any other transistor

Special Razzle Dazzle Finish! 

Packed with knobs that let you control everything from tight, radically fuzzy sounds that gate off instantly when you stop playing, to intermodulating oscillations that fight for control of your guitar as your notes decay

Packed with knobs that let you control everything from tight, radically fuzzy sounds that gate off instantly when you stop playing, to intermodulating oscillations that fight for control of your guitar as your notes decay, to shortwave radio sounds, rippi

Special "Razzle Dazzle" Finish!
This pedal was designed to emulate the sounds and textures of the Lo-Fi Loop Junky™ in real time, but it goes far beyond that. Click it on and mix your sparkly clear compressed signal with the smashed, lo-fidelity warbled

The ZVEX flagship pedal, the Fuzz Factory, was launched using spam can shaped transistors purchased at Axe Man Surplus in St Paul, MN in 1995. This is the pedal that put us on the MAPS! This special edition MAPS pedal features NPN germanium spam can trans

This pedal was designed to emulate the sounds and textures of the Lo-Fi Loop Junky™ in real time, but it goes far beyond that. Click it on and mix your sparkly clear compressed signal with the smashed, lo-fidelity warbled signal and listen to it become a

The ’59 Sound is based on the legendary 1959 Tweed Fender Bassman. The ’59 Sound captures the essence of that magical amplifier.

I've never really liked the sound of distorted Fender amps (this is Zack pontificating) except for my earliest amp, a blond

This Box of Rock™ simulates Zachary’s favorite amp turned up all the way, a 1966 Marshall® JTM45. The tone control adjusts brightness and there’s a high-headroom low-noise boost.

A sub-heavy silicon fuzz with some new twists: An input impedance control (push/relax) that adjusts from passive pickupsto line level. It works very well for re-amping bass tracks that needto be fuzzed up after tracking and keyboards. There’s also a three