Overdrive

The Bard is an homage to one of our favorite misunderstood amplifiers of the past: the Music Man HD130. Manufactured from 1974 to 1984, these amps combined a solid state preamp with a tube power amp, an unusual choice that lead to them being gravely under

Inspired by Wayne Kramer's raw guitar sounds on early MC5 records, Dunlop/MXR & Johnny Wator of Daredevil Pedals capture the pummeling sound of 2 dimed out 100 watt amp stacks into a single knob stompbox. Limited to 500 pieces with art by Shepard Fairey.

Riverside is the culmination of a thorough analysis of numerous analog and vacuum tube circuits. Our goal? To deliver a new world of harmonically rich, incredibly versatile, tube-inspired drive sounds. We didn’t want to build just another distortion or ov

A true double feature, the Hammertone® Boost pushes your signal to new levels with two distinct flavors of boost in one enclosure. Use the Type switch to select between a pristine, clean opamp boost circuit designed for colorless volume boosting and a JFE

Dial in responsive, tube-like drive tones with the Hammertone® Breakup Drive. The perfect contender for an always-on pedal, this JFET based overdrive is designed with one focus in mind: replicating the dynamic response of hot tubes right at the edge of sa

Sweet, nuanced, and ultra-expressive, the BD-2 Blues Driver stands as an enduring icon in the annals of guitar overdrive. Its influential BOSS analog circuit design behaves like a tube amp, providing natural, touch-responsive gain that’s not possible with

Since its release in 1981, the workhorse SD-1 Super Overdrive has been the core gain pedal for generations of players across every musical genre. Based around the revolutionary asymmetrical clipping circuit from the OD-1 Overdrive—one of the three origina

n 1982, Tom Scholz—visionary guitarist and founder of pioneering hard rock band Boston—designed and released the Rockman X100 headphone amp through his electronics company Scholz Research & Development (SR&D). But it was more than just a headphone amp—wit

NERD ALERT

When designing the temperature controlled fuzz, we tried some unusual approaches. One false start utilized a voltage controlled error correction circuit to bias a single germanium transistor. It ultimately didn’t work for the fuzz, which is

Billie Joe Armstrong’s guitar tone on Green Day’s groundbreaking album Dookie sounded dirty and punchy, with the perfect amount of articulation to express the musicality of his fast, melodic riffs. He got that sound by running his signal through two heavi

This pedal delivers clarity, expressive dynamics, and rich harmonics—all perfectly tailored for Yngwie Malmsteen's light-speed arpeggios, expressive vibrato, and big, bold riffs.

Bassman® pedals have all your basses covered. Drawing inspiration from the original tube amp line that laid way for Fender’s sub-sonic signal processing, the Bassman pedal line hosts a collection of meticulously crafted analog and digital circuits all cur