Fuzz & Distortion

Rainger Razor Fuzz

Rainger FX are inviting you to take part in an experiment in tone-shaping discovery…. This mini-pedal makes no sound at all until you pour liquid into it – any kind at all – and the various qualities of that liquid decide the amount – and to some degree t

The Pull Focus is a high gain distortion pedal, with either a reverb or chorus effect fading in after a short while. It has a noise gate too, which unobtrusively keeps the pedal silent when you’re not playing.

The distortion is all analog, the reverb a

The Bumble Buzz Pedal, handmade by Chris Young of Union Tube & Transistor (who built the pedal used for Jack White's guitar sounds on "Sixteen Saltines" and the vocals on "I'm Shakin'" off of 2012's Blunderbuss), is ready for buzzing around and stinging s

In collaboration with Third Man Hardware & Eventide Audio

From the twisted depths of Jack White’s imagination and the mad scientists at Eventide, comes Knife Drop—a pedal so maniacal, so drenched in sonic chaos, you’ll wonder if you’re dreaming... or a

The PLASMA Coil is a special version of the PLASMA Pedal, created by Gamechanger Audio and Third Man Records.

At its heart is GCA's innovative High Voltage Distortion technology that expresses audio signal as a series of electrical discharges. Even tho

We give you the two most quintessential effects that yield unruly amounts of power and influence to an
instrumentalist: reverb and distortion. They have been harnessed and woven together for an eternity of
ethereal power with The Melee: Wall of Noise. T

This mystical little device infuses your guitar signal with rich harmonics for smooth, transparent overdrive, with Gain, Volume, and Treble controls making for a super straightforward command center.

Playing with the Way Huge Stone Burner Sub Atomic Fuzz is like playing with molten lava—it’s all fun and games until somebody gets scorched. But that’s the whole point with this dastardly little box.

The Way Huge Smalls Stone Burner Sub Atomic Fuzz wil

From Zvex: This Box of Rock™ simulates Zachary’s favorite amp turned up all the way, a 1966 Marshall® JTM45. The tone control adjusts brightness and there’s a high-headroom low-noise boost.

This pedal was originally designed for J.Mascis. He requested two Box of Rock™ pedals in one box with two stomp switches. He uses it regularly now, but we did one (or two) better with the one we’re releasing to the public... we made it so you can adjust t

From Zvex:
The next edition of our Fuzz Factory 7, using two NOS 1960s GT308 germanium transistors.

Germanium transistors. What makes them so special? It’s because they turn on faster. Sooner. They get turned on way quicker than any other transistor