Old Blood Noise Endeavors

What if a phaser could remember itself? Dweller remembers. It remembers far too much. From familiar phase and vibe sounds to resonant random step filtering, warm delays, and previously unheard in-betweens, the Dweller is capable of countless sonic textu

Expanding on the concept of their Expression Ramper, Old Blood Noise Endeavors unveils the
Expression Ramper X3, an expression movement shaper capable of manipulating three expression
jacks simultaneously with copious control. This utility device brings

OBNE's Signal Blender, now in Stereo!

Black Fountain emulates the sound of an oil can delay: warm, modulated, and a little gritty. It’s perfect for chorusing, doubling, slapback, and long rhythmic delays alike. You choose the amount and rate of modulation, the tone and grit of the core voice,

BL-52 Features:

• Clock slider to change the delay time, LFO speed, and overall fidelity of the effect, from faster repeats to time-stretched lo-fi
• Feedback knob to enhance the intensity of the phase repetition by further lengthening the tra

Realizing matching gaps in the market and their friends’ workflows, OBNE is pleased to introduce MTET: the MIDI to Expression Translator. MTET is a simple device for complex workflows. It receives MIDI CC messages and turns them into expression outputs, a

Scooch Tap Tempo, a simple tap tempo box to go along with anything requiring an external tap tempo. OBNE Dressed it up and it looks nice.

Tippity tap that tempo

BL-82 is a chorus pedal within our BL line. It challenges the definition of chorus, managing to be both lush and grimy. The Clock slider moves from a shimmering three-dimensional mono chorus through to a long, deeply modulated delay, with many textures in

The second addition of the OBNE Utility Line, the classic AB/Y Switcher. It's simple: sometimes you need two outputs, sometimes you need two inputs. And then you need to switch between them. Or use them both at the same time. That's it. It's not magi

The Old Blood Noise Endeavors Haunt is a gated fuzz that is capable of a wide array of fuzz sounds. From the restrained and nuanced light fuzziness to granular and biting saw sounds, many textures and character traits can be summoned with the Volume, Gate

Old Blood Noise is now offering a harmonic take on their Whitecap dual asynchronous tremolo as a full member of the OBNE roster. The Blackcap retains the analog tremolo side of the original and takes the highly functional digital tap side into the realm o

Exploiting an algorithmic similarity, Old Blood Noise Endeavors unveils Bathing, a liminal delay. This effect
is not a classical delay, or a modulation, or a multi-tap reverb, but it is also all of those things. Taking
inspiration from what they called