MXR

Inspired by Wayne Kramer's raw guitar sounds on early MC5 records, Dunlop/MXR & Johnny Wator of Daredevil Pedals capture the pummeling sound of 2 dimed out 100 watt amp stacks into a single knob stompbox. Limited to 500 pieces with art by Shepard Fairey.

A tribute to Randy Rhoads' monumental legacy, this pedal has been painstakingly matched to the legend's own MXR Distortion+ to recreate the same raw, overdriven tones heard on his most beloved hits.

MXR and Third Man Hardware have teamed up to create the perfect booster for gigging guitar players—this pedal combines two separate MXR Micro Amp circuits into a single box so that you can heat up two separate signal chains with just the right amount of c

Whether you’re practicing at home, captivating audiences with improvisational compositions onstage, or weaving intricate sonic tapestries in the studio, the Clone Looper Pedal has you covered. Packed into a standard MXR® housing that’s built like a tank,

The MXR Layers Pedal blooms with rich, organic sustain that imbues every strum and pluck with resonance and depth. With a versatile suite of controls, this pedal can be as simple or complex as you need. Whether you want to lengthen single notes or generat

This pedal combines two iconic Fuzz Face Distortion sounds, featuring the snarling, high-gain aggression of a silicon transistor and the smooth, shaggy warmth of a germanium transistor in a single circuit.

The Carbon Copy Mini Analog Delay packs organic analog warmth, shimmery modulation, and ease of use into an MXR mini housing with a Bright switch for additional sonic versatility so that you can make the most out of your pedalboard real estate.

The Bass Compressor provides recording-quality compression with Constant Headroom Technology™ and true bypass switching for keeping your low end tight and clean.

The Distortion+ delivers everything from cool overdriven blues tones to huge '80s hard rock distortion.

MXR Coil Instrument Cables offer the perfect combo of convenience, durability, and great tone, allowing you to take only as much slack as you need while transmitting a bright, clear signal.

n 1982, Tom Scholz—visionary guitarist and founder of pioneering hard rock band Boston—designed and released the Rockman X100 headphone amp through his electronics company Scholz Research & Development (SR&D). But it was more than just a headphone amp—wit

Billie Joe Armstrong’s guitar tone on Green Day’s groundbreaking album Dookie sounded dirty and punchy, with the perfect amount of articulation to express the musicality of his fast, melodic riffs. He got that sound by running his signal through two heavi