Electronic Audio Experiments

The Electronic Audio Experiments Greathammer is a bass-focused overdrive that brings a distinct flavor of solid state thunder.

With a gain control spanning a 50dB range, the Greathammer can be restrained or rowdy. We took cues from a beloved 1970s Cana

The Bard is an homage to one of our favorite misunderstood amplifiers of the past: the Music Man HD130. Manufactured from 1974 to 1984, these amps combined a solid state preamp with a tube power amp, an unusual choice that lead to them being gravely under

Sending is an analog delay that melds the archaic voice of bucket brigade devices with a fully modern toolbox of digital control. It embraces the character and idiosyncrasies of the medium while delivering high quality sound and performance-friendly featu

The Electronic Audio Experiments Glaive is the most dangerous gain device in the EAE lineup. This discordant yet deceptively versatile op amp fuzz is capable of over +80dB of gain. The Weight knob adjusts a lightly resonant high pass filter at the input,

Mirror House creates two pitch-shifted copies of an incoming signal which veer off into equal and opposite directions. This diametric approach to pitch shifting is capable of weird detuning, disorienting microtonal clusters, chords of parallel harmony, or

The Electronic Audio Experiments Citadel is a preamp-style overdrive inspired by the everlasting sounds of British amplifiers from the '60s and '70s. Rather than emulating a specific model, it encompasses our favorite parts of a whole generation of amplif